Dark Light
NO COMMISSION
IAAF Logo
IAAF ONLINE
The art world in your pocket

Secret - Anika Uluc

4.000₺ 0₺
SIR - saklanma arzusu ile görünme ihtiyacı arasındaki o ince çizgide var olur." Bu çalışma; ham, yaşayan bir malzeme olan derinin organik formunu kullanarak gizlilik ve kırılganlık temalarını araştırıyor. Sert ve koruyucu bir kabuk gibi bükülen koyu renkli deri, merkezinde narin bir cam tüp barındırıyor. Derinin yarattığı kıvrım ve gölgeler, içindeki kırılgan yaşamı hem dış dünyadan saklıyor hem de ona güvenli bir alan sunuyor. İşlevsel bir tasarım nesnesi (duvar vazosu) olmanın ötesinde bu eser; saklanan duyguların, korunan sırların ve doğanın zıtlıklar arasındaki kusursuz dengesinin üç boyutlu bir ifadesidir. A SECRET- exists in the delicate space between the desire to hide and the need to be seen." This piece explores the themes of secrecy and vulnerability through the organic, tactile form of raw leather. Curving like a protective shield, the dark leather embraces a delicate glass tube. The folds and shadows created by the leather both conceal the fragile life within and provide it with a sanctuary. Beyond its functional form as a wall vase, this artwork is a three-dimensional expression of hidden emotions, kept secrets, and the perfect balance of nature's contrasting elements.

Exploring the Artwork

  • Category Design
  • Size 20 x 14 x 6,5 cm
  • Year of creation 2026
  • Artist Anika Uluc
  • Technical Leather
Anika Uluc

Anika Uluc

1 Followers · 0 Follow
Takip Et
Nationality Türkiye
Date of Birth Born in 1977-12-30

My recent work moves between sculptural wall pieces, lighting, functional and wearable objects. Leather remains an important material, often combined with felt, wool, textiles, paper clay, copper,brass and other found or upcycled elements. I am interested in what happens when materials with visible histories are given a new context rather than being made perfectly uniform. Scratches, ageing, rough edges and patina are not problems to conceal; they are part of the character of the work. The forms are often intuitive and tactile. I tend to follow the material, its curves, resistance and imperfections, rather than beginning from a fixed idea of what an object should be.